smiling
shxdows


Indie Naruto OC
Independant, Selective, Private, Mutually Exclusive & Low Activity
Loved by HikariDana




BASICS

To start off, the mun is 27 and completely eligible for NSFW themes like gore and all that. Absolutely NO smut with this girl.

Don’t be a dick.
Don’t beg for interactions please. If we match we match, if we don’t we don’t.
Mutuals only, please don’t send a thread or thread start if I am not following you as you are me.
I ask that personal blogs not reblog anything of mine.
I will not write with anyone below 21. I do apologize, but this is for my comfort’s sake, not because I hate you younger folks. I also implore that y'all take control of curating your spaces as well and keep yourselves safe. Do not lie about your age. If I find that you covered up your age trying to write with me, it will be a swift block. If you’re young and try to follow me, I have to soft block. While the closest to NSFW this blog will get to will range between gore and suggestive things, I DO write with other blogs who get more into suggestive themes either through speech or what have you.
Duplicates of canon muses are fine!!! There may be “mains” that I prioritize more, but I am 100% fine with duplicates bc everyone’s take on characters are always gonna be different and I cherish all of them. <3
Dark Themes are imminent, so I will tag trigger warnings as needed. Expect themes/subjects of cannibalism, human experimentation, gore, etc.
If you wanna chat over IMs, I’m cool with that. Only if we’re mutuals.
Threads might be dropped from time to time, so if there’s a concern or anything, just lemmie know.
I won’t be as active as I used to, so just expect me fading in and out.
Also, please don’t block evade by going to my other blogs or through anons of another blog you have. I ask that to be respected, please.
That’s about it for now. I go by Dana for short! It’s the name I'm referred to the most.

MAINS & SECONDARIES

MAINS:
Kakuzu - @bishopofgreed

Deidara - @artisanshinobi

Hidan - @infernoparadis

Itachi - @kiigan

Kisame - @infernoparadis

Konan - @angelofamegakure

Yahiko/Pein - @dominiodivino

Sasori - @akasunaa

Zetsu - @jozetsuka

Orochimaru - @taoreshi
SECONDARIES:
Hidan - @holy-havoc

Kisame - @taoreshi
SHIPS:
Currently none (but that could be changed wink wonk)

TRIGGERS

None! But all triggers will be formatted as ‘tw subject’ or 'cw subject'

INTERACTING

Do remember that Mun =/= Muse. If Margaret ends up saying something offhanded, that’s her character, not me.
Don’t godmod, don’t metagame, don’t powerplay, and most of all don’t autohit. I know if we’re winging it it’s kinda hard to gauge who will win sometimes, but I am a person of ‘Dodge a hit, take a hit’. If we need more plotting, either I’ll hit you up or vice versa so we don’t lose steam over a stalemate!
Big preference to para over one liners. If it’s crack or simple interactions(like chatter n’ whatnot), one-liners are acceptable. You don’t have to match me in paras, just have enough substance please.
Please, PLEASE talk to me about direct familial and SO relationships first. If your muse develops feelings for Marg, she knows your muse well, and you wanna make it a ship? Talk to me!! She probably won’t enact in smut given her Condition:tm:, but she enjoys the company.

NOPE

Do not engage with me if you can't not involve yourself with the Tumblr Callout Culture. What I mean is if you find a callout and you do nothing for research to inform yourself on the situation to confirm or dispute its legitimacy? Don't follow me.If you have a tendency to make callouts because you cannot find it within yourself to calmly talk it out with a peer over a minor issue? Stay far far the fuck away from me.Callouts should only ever be made when 1) A person is showing distasteful/harmful behavior AND 2) Refuse to change anything about it and go on to harm/make others uncomfortable.To sum up from the last paragraph, I Do Not engage with Call Outs until I can confirm its genuineity. There have been too many instances of “callouts” being nothing but dirty laundry being aired next to incriminating evidence that was cherry-picked on purpose. Do your fucking research before you reblog any of that shit. Check the history of everyone involved, check their behavior, and watch how they talk about it. There is a difference between people being informative, and people who just want someone Gone. If I find that you willingly become an accomplice in stuff like this? You will be hard blocked indefinitely.

OTHER

I am a non-confrontational person and I actively struggle with this due to lingering PTSD. Please know that yes, I WILL struggle bringing up a problem with my mutuals if I have any and I feel like saying something might disrupt or make you upset. But if I ever block anyone it was either because I felt uncomfortable with certain opinions/actions made, you blindly contributed to a smear campaign w/o doing research on the callout and double down, or you’ve made actions that made another mun uncomfortable with weird behavior and rp that was not appropriately discussed. If you’ve rubbed my pet peeves the wrong way for long enough, typically I just unfollow and soft block. The only exception I have to confront is when I actively see people being belligerent with a call out because I am VERY tired of the Tumblr Mob Mentality :tm:.

CREDITS

carrd by mari @ rcsea


STATS

NAME: Margaret (マーガレット)NICKNAMES / ALIASES: "Demon Of The Black Fog"AGE: 19-22 (verse dependent)DATE OF BIRTH: March 29thGENDER & PRONOUNS: Female, she/herORIENTATION: Bi/PansexualRACE/ETHNICITY: Mix between village Ethnicity and her traveller FatherNATIONALITY: Japanese(?)OCCUPATION: None (Akatsuki Member for Akatsuki Verse)LANGUAGES: Common(Japanese), Home Village Language

PHYSICAL

FACE CLAIM: Drawn
HEIGHT: 5’5"
WEIGHT: 138 lbs.HAIR: Black, Dread Locks pulled back into a ponytailEYES: RedSCARS: Her arms and the few scattered over her abdomen from chakra imbued weaponsPIERCINGS: One rim earring on her left earTATTOOS: A crescent moon tattoo with a dot in the middle on her left shoulderDISTINGUISHING FEATURES: Bandages wrapped around her neck, forearms, and lower legs. Always barefoot.PHYSICAL CONDITIONS / DISABILITIES:
Kekkei Genkai: Consistently draws Natural Energy into Margaret which, when enough has been stored in her body, causes her to go into a frenzy at random. In order to prevent this, Margaret must occasionally burn off the excess energy and urges by training,fighting, or hunting when possible.

FAMILY

PARENTS:
- Yuushi (Mother) | DECEASED
- [Name TBA] (Father) | UNKNOWN
SIBLINGS:
- Deidara (Self-Proclaimed Twin Brother)
SIGNIFICANT OTHER:
N/A
OTHERS:
- Kakuzu (mentor)
- Itachi (mentor coworker)
PETS COMPANION: Yuzuki (White Rabbit)HOMETOWN: An unknown villageCURRENT RESIDENCE: N/A, Travelling

JUTSU

Shadow Style - Black Rabbit: Concentrated Yin chakra molded into the form of a rabbit. En masse, can cause an opponent to become drowsy and encouraged to sleep. Can and will explode on command or when attacked. Explosions will decay nearby opponents.Elemental Hand Seals dictate different effects on explosion:Earth: Lower/Wider Radius, Blowback
Water: Sticky/Clingy Splash damage
Fire: Bigger Radius
Wind: Inhalable Decaying Vapor
Shadow Style - Dusk Bullets: Concentrated Shadows are shot from her mouth. Causes minimal decay, can build up if the opponent is hit multiple times.
Hand Seal(s): Rat , Bird
Shadow Style - Umbral Claw: Margaret creates a claw of controlled, concentrated shadow. Will only cause decay on command, but otherwise can be touched as though it were a normal limb. Can extend to far distances to either grab or attack an opponent.Sage Art - Black Fog: The “black fog” is built up into Margaret’s mouth and unleashed like dragon's breathin a wide cone. Decays anything caught in its range at high severity until nothing/very little remains. Scars the environment afterward with black scoring and some bits of glowing red marks within the black.Shadow Style - Dark Haze: Visibility becomes terrifyingly low. Normal light sources such as torches do nothing to increase visibility. Opponent will begin to see imitations of Margaret within the haze. Can be dispelled if one knows how to dispel Genjutsu. Sensory Ninja will find it difficult to track chakra signatures within this jutsu.Shadow Style - Earth Shattering Umbra: Concentrated Yin Chakra is shoved beneath the earth to swell and swell until a devastating eruption takes place in a 3 yd radius depending on severity. Can cause severe case of decay.Shadow Style - Cataclysmic Umbra: The same as Earth Shattering Umbra, but at a much wider scale, calculated to be a 5-10 yd radius. Requires build up time and a large cost of chakra. Requires cool down. Capable of destructive terraforming such as causing the collapse of a cliffside.Shadow Style - Tenebrous Cloak: Margaret is surrounded by a cloak of darkness that serves to obscure her appearance in the night and as a means to protect herself. Touching her under this cloak of armor results in decay damage. Attacking with Ninjutsu/Senjutsu is favorable. Use of Bukijutsu/Kenjutsu may result in decayed weaponry, but can work as well. Sensory Ninja will find it difficult to pinpoint her in this state.

PERSONALITY

POSITIVE TRAITS:
- Empathetic
- Compassionate
- Cooperative
NEUTRAL TRAITS:
- Observant
- Minimalistic
- Tidy
NEGATIVE TRAITS:
- Impulsive
- Petty
- Vengeful
ASTROLOGY: Aries Sun, Taurus Moon, Sagittarius RisingMBTI: INFP-TTEMPERAMENT: Quiet, Reserved (Boisterous and Tempermental when riled up in Sage Mode)ENNEAGRAM: Type X Wing X

MENTAL

NEURODIVERGENCES & ACQUIRED CONDITIONS:
PTSD

OTHER

POWERS / ABILITIES:
- "Shadow Release": An offshoot of Yin Release. This form of chakra nature takes on the form of a black and red energy. Because of how Yin Release works, in an in its offshoot form, it makes use of the shadows' malleability and can be affected by Margaret's emotional/mental state. Lightning and Fire Release attacks cause a violent, explosive reaction when making contact with Shadow Release and can clear it out. (Can be used to your muse's advantage)
- Regeneration: Basic wounds caused by basic attacks such as thrown kunai/shuriken, gashes by katanas or similar swords, and bone breaks can be healed by herself thanks to her Kekkei Genkai. Poisons can be recovered from, but require Margaret to go comatose for more severe and damaging poisons. "Chakra imbued weapons" or Fire Release attacks negate this ability.- Sage Transformation/Sage Mode:
Because of her clan's Kekkei Genkai, Margaret is able to undergo Sage Transformation, or "Sage Mode", without the use of Orochimaru's Curse Marks. For her clan, this ability comes naturally; however, often at the cost of conscious thought. If undergoing Sage Transformation under duress or involuntarily due to an excess of Natural Energy, Margaret will not respond to allies. The line will blur, and everyone within range will be in imminent danger.
      - Sage Transformation also allows her        to manipulate her skin or claws to be        sharper or mutate to her needs.LIKES:
- Sweets
- Coffee
- Tea
DISLIKES:
- Liver
- Poachers
- The Five Nations
- The Sea/ Any Deep Water
HOBBIES:
- Woodcarving
- Playing the flute
WEAKNESS(ES)
- Fire Release
- Lightning Release


IMPORTANT PORTRAYAL NOTES

  • Margaret's clan is based off of Juugo's clan (which had very little explained about it so I took creative liberty in filling some gaps). While I had once stated they're of the same clan, I've decided that she comes from an offshoot that is much closer to nature, and there fore, takes on more animalistic forms and/or have animal masks for the animals they have an affinity for. They also praise the Tailed Beasts as gods.

  • As opposed to ninja who are born in larger nations, I depict Marg as a person who was not born to the same social ideals that the larger nations have, nor did she undergo the same teachings or trainings. She is very much an emotional based character, and especially because of the fact she lost her entire village at age 10, detaching her feelings from a mission is not easy for her now that she's grown up. Meaning, the more complex politics of the ninja world don't make sense and she's constantly questioning how much easier it'd be if things were 'this way'. It's a very nieve view, but this is simply how Margaret sees it coming from a smaller village.


BIOGRAPHY

  PART ONE  Margaret was once part of a small, secluded village in the forests, born with a foreign name given by her father, who was a traveller from another land. But he didn’t stick around during her mother’s trimesters, choosing the life of travelling instead of settling down with a child. Thus, Margaret was grew up without a father. She was a relatively quiet child. The children of the village found her odd, from her name down to her reclusive behavior. Some offered to play, and oftentimes they did, but they never stuck around. Margaret was sometimes too far off in her own world and often wandered off by herself. The other parents of the village often shot her glares of disgust, knowing the origins of her birth, but her mother was always there to shield her.It wasn't until Margaret hit the age of 10 that her village collapsed in on itself. Tensions over 'the good of the village' broke into violence, and Margaret was whisked away from the heat of it. Her mother ran as far as she could, away from the carnage, before setting Margaret down in a hollowed old tree. She begged that the animals watch over her daughter, and to Margaret, promised her return. But Margaret waited throughout the night. Hours passed, and the young Margaret had gotten hungry enough to forage for berries, but no sign of her mother came to pass. A full day later… and Margaret was forced to make up her mind to move on. Even if the animals didn’t say it, their sorrowful eyes said enough. She was all alone.The small girl travelled the well-trodden roads for days. She had her teachings of foraging to keep herself going, and the animals did what they could to guide her as well, but reality was slowly settling in. Without anywhere to go, or anyone to turn to, she would eventually starve out here. A week would pass, and the beginning signs of starvation were beginning to set in. She was becoming weaker, stumbling over herself because she was beginning to drag her feet. The lone girl attempted to beg along the sides of roads. Most passed her by, leaving her voice, her pleas for help, unheard. Few offered bread or grains and left her there. But it wasn't enough. The rice only lasted so long, and the bread was often gone when shared with her fuzzy friends. She became desperate enough to steal. It started as little stunts of thievery in the night. An apple or a carrot plucked from a resting merchant's harvest when they weren't looking. The easiest targets, if only because they had so much to account for that the small thievery wasn't always noticeable. It then extended to resting travellers. Riskier, as they were not always asleep, and often carried much less food than a merchant. But then, one night, her rabbits told her of a small platoon. Men who were carrying rations, food that could last her longer than a day! Food dried and preserved in such a way that it wouldn't spoil easily! It became the heavenly answer to Margaret's problem.She followed her rabbit friends as they leg her to a small camp. Each of the shinobi were resting in different areas of the camp. Their campfire had long burned out, thus, Margaret had the darkness of the night on her side. Or so she thought. Little did Margaret know that there was another shinobi resting in the trees above, keeping first watch. Margaret didn't get the chance to dig into the bag of supplies before a shuriken was thrown at her feet. Capture came quickly, the shinobi, one after another, awakening from their sleep. A newly lit torch revealed headbands with a leaf engraved on them. Though she was only a child, she was met with a distasteful scolding. A little thief they called her. Maybe a spy from another village. They pondered among themselves what to do about this little thief, all the while Margaret tried with all her might to push and pull free of the iron grip that had her wrist. She screamed for them to let go, resorting to kicking and punching against her captor. But something strange sparked within her. Her emotions called to a power buried deep inside, and before she knew it, she had blood and viscera splattered over her arms and face. She didn't know what overcame her. The shinobi who held her still now lay on the ground, screaming in agony with a portion of his abdomen blown open. Everything that followed became a blur. The yelling, her trying to flee, the recapture... And then suddenly, silence.A new presence was here. A tall, pale, dark-haired man standing among fallen bodies. The torch one shinobi was holding had burnt out, thus... the two people left alive among corpses stood in near complete darkness. The man turned to the terrified child and knelt to her level, meeting her terrified gaze with calm golden eyes. Maragret flinched, having not long ago been pulled around by her hair. But the man only smiled, gentle and warm. He'd never seen chakra like hers before. In the wrong hands, they would make her a mindless weapon, he said. "I will teach you to take control of your chakra under your own terms. But first... You must be starving." And that, she was.


  PART TWO  
Margaret became a willing resident of Otogakure, home to Orochimaru, the man who saved her that night. It was here that Margaret thrived whilst Orochimaru studied her. There was something about her that stuck out as odd. Not just because she’d often attempt to speak with snakes, but because her chakra felt so very off. His interest in her allowed Margaret to remain there until she was about 12 years old, the age at which Margaret’s uniqueness shone brightly. Within the first two years, Margaret learned how to assist Orochimaru with his experiments by fetching supplies when he needed them. But on her twelfth birthday, an incident occurred between her and another resident. The young girl was on her way to delivering something for the exiled Sannin... when something overtook her. The parcel of equipment was dropped in favor of clutching her head and face. Her heartbeat resounded within her ears as the roar of blood raged behind it, her chest heavy, and a red fog, only visible to her, began settling in.When she next woke, she woke behind bars. A new condition arose in her. One similar to another subject under Orochimaru's care. Thus, she was transported to the Northern Hideout. Margaret didn't know what she had done. There was the ugly aftertaste of copper on her tongue that made her want to wretch. The young girl asked, pleased from behind the bars to know what was going on. She was only told that her new condition could aid in a medical breakthrough. It didn't make sense. None of this made sense! She only remembered delivering a parcel for the Sannin! What did she do wrong??When Orochimaru approached her again, collected and warm as he was when he first came across her, he detailed the incident. The young girl lashed out at the nearest person. Unprovoked, wild, inconsolable, covered in cursemarks without Orochimaru having given her a Curse Seal. It took Kabuto's intervention to prevent any further injuries, or death for that matter. The good news was that the villager survived the attack, though were left in serious condition. Behavior none too different from another resident in this hideout. And it was from henceforth here that Margaret would be treated differently. Found with her cursemarks in full view, she was reminiscent of another test subject already occupying these walls: Juugo. The one other remaining member of a similar clan and their notorious Kekkei Genkai. She would only see him a fair few times, often following behind a white-haired boy with kind, blue eyes. One day, while she sat in her cage, the boy assured her that Orochimaru would help her, just like he would help Juugo and himself. She even asked Orochimaru himself in his passing, her eyes full of tears, bubbling apologies. “Will you help me? So it won’t happen again?” He smiled kindly at her, warm and doting as always, and took her face in his hands to wipe her tears. He promised.Maybe in the beginning, it was easy to forgive the tests that poked and prodded with sharp tools. To forgive the provocations that got her to change form as the year went by, to study the stages of her Sage Transformations. Because it was all necessary, right? It was all necessary to understand her problem, wasn’t it? But the year passed into the next. And into the next year. And the year after that. Little by little, the realization that this was nothing more than an empty promise. That she was nothing more than a guinea pig to be poked and prodded. That they, the Sanin and his most loyal and selected few, would only continue to take and take from her! And despite her growing distaste and hatred for the Sanin (as well as his assistant Kabuto), she made some attempt to make allies while housed in the Northern Hideout, most primarily Juugo himself. He was the only one she could truly relate to after all, sharing empathy for his normal, gentle nature being straddled by the violence that their Kekkei Genkai made them capable of. And the fact that his friend, Kimimaro, was at this point no longer around. They were both well and truly alone. But she didn’t get to know him well, due to how often he would lock himself away. Her knowledge of him would remain at surface level. With no one left to share her sorrow, Margaret turns inward. Only ever answering when she needs to, but her cooperation in procedures and research begins to erode.Then, something truly incredible happened. A miracle, a twinkling light in the dark she'd become so used to without anyone to talk to. Their research on Margaret finally made a breakthrough. For years, for as many candidates they found and spent to test Juugo's DNA on, just as many were found and died to the harsh nature of Margaret's DNA. Many either perished due to incompatibility or were so uncontrollably feral that there was no point in keeping them. But one lucky candidate lives. The fire chakra nature makes the acceptance of Margaret's chakra nature and DNA much smoother! They're placed in the same cage with a divider set between them. For the entire day, Margaret refuses to face them. A copy, a fraud she calls them. Like the many 'copies' of Juugo that saturated this place. The duplicate, on the other hand, continued to try and reach out. Even during Margaret's worst moments of throwing herself into a stir-crazy frenzy attempting to soothe and calm her frenzied state. Until one day, it finally worked. The soothed beast found herself collapsing against the cage in tears, something she'd thought her eyes had run dry of. She was tired. So very, very tired. She couldn't stand the loud silence of her cage anymore, the lack of birds, the lack of earth beneath her feet. She wanted to leave this place. The duplicate, sharing her turmoil, decided that that day, they would make a promise with Margaret. That they would leave this place together and never look back.Time would pass, experiments continued, and there were many times where the duplicate was used as a bartering chip for Margaret's cooperation. So long as it meant that her one and only bond in this place would remain unharmed, Marg would cooperate, and it would continue until Margaret grew to the age of 15. They'd made their plans, they'd memorized a map of the hideout and its exits. There was no hope of finding a key unattended, thus... Margaret had to get creative. Using her own claw to lengthen, she carefully, slowly, undid the lock on their cage. And once they'd freed themselves, they would set their plan into motion. The Jailbreak.It didn't take long. Gates flew open, vicious creatures, experiments made up of Juugo's DNA, broke loose from their containment. Margaret and her counterpart kept their distance as creatures formerly human tore themselves, as well as any hideout guards they saw, apart. They needed to act now while the chaos was unfolding. The researchers would have their attention split into too many breach areas to herd them all at once. But a new problem would make itself known. Previous clones of Margaret, ones that hadn't been culled yet, also broke free. This was an unintended consequence of their plan. Margaret took her counterpart by the hand and ran. The clones followed suit. They could make it, she thought. They could throw themselves into the sea and escape them! Alas, Juugo could not be convinced to leave his containment and join them, but he was equally capable of protecting himself! Everyone else didn't matter! It could just be the two of them! Or... so Margaret thought.The air of the sea outside was rich. A fresh wash over the senses. Salty and refreshing. But Margaret's hand is no longer being held. Her counterpart stands at the edge of the exit, bright and brimming with black and red energy. Their face is sorrowful... but they smile at her. They tell her that they're sorry. They don't want any of these experiments to see the light of the outside. That it wasn't right for these people to be marred in such a way. That they, too, are a selfish byproduct of Margaret's powers. They can't do anything about Juugo. But if it's one thing they can do, it's that they will ensure Margaret's freedom. And they'll take every living remnant of Margaret to ensure her eventual erasure from this place. Because Margaret deserved that much for her pain. The energy grows brighter. It's a spectacular display that she could ever hope to achieve. The clones latch onto her counterpart, digging in with malformed claws, biting into her limbs and shoulders. Margaret can only remember reaching out, the tears stinging her eyes, before all goes black.

  PART THREE  The next few days are a blur. She doesn't remember much. There are lapses in memories where her eyes drift open to stare at the starry sky above, her body weightless and afloat, before drifting closed again. And again, when she's being pulled onto a vessel, voices loud but muffled. She can't keep her eyes open. She's so very tired. The next time she wakes, she's been tucked into a futon with an oil lantern at her side. It's soft and warm, but the comfort brings her no ease. She shoots up from her resting area, though vertigo forces her back down. She doesn't know where she is. Her lungs sting, her ears roaring with liquid trapped inside. One hand to her locs tells her that she had been somewhere wet. A body of water, perhaps? And as she turns her head to drain the water from her ears, everything suddenly clicks. Where is her counterpart? Her brief thought, however, is interrupted by shuffling. Someone was on the otherside of that door. Panic sets in. There's only one route of exit, but her body is weak.The door opens, and a burly, bald man wearing casual sleeping attire enters the room, seemingly started by the wild eyes staring back at him. He tries to soothe her obvious panic, holding up the one free hand he has. The other hand is occupied by a steaming bowl. Food, Margaret recognizes by the savoury smell wafting over to her. It's only then that she realizes just how hungry she is. Her mouth waters, and it's hard to keep her focus on the stranger holding onto it. It's Miso Soup, he says. Something to introduce nutrients into her system without overloading her. She only continues to stare. He can see that her eyes occasionally dart to the bowl in his hand, so he makes a slow approach for her. She can't leap up, she can't run, so Margaret does what she can. Baring her teeth and 'growling'. This gets the man to slow his advance toward her, to instead opt for crouching to her level. Margaret leans away, her sharp canines visible. It isn't much better, but at least he's not towering over her. The bowl is set down before her, and the man backs off. He tries to ask her where she came from. Margaret only stares. He asks if she knows where she is. She continues to stare. He asks if she's in any danger. There's a brief moment where her eyes dart off to the side, but her fierce gaze locks back onto him. She squints. The man notices that the entire time... she hasn't picked up the spoon for a single sip of soup. He nods, sensing that perhaps his presence is too much. He's slow to stand, but as soon as he does, he backs off, leaving her to acclimate to her environment and wishing her a good night.
Margaret waits for the stranger's footsteps to quiet completely before her eyes return to the steaming bowl next to her. Its the first time she's seen a reflection of herself in a long time, even if just barely. She looks disheveled, her locs have been past due for care, and the bags beneath her eyes are dark and heavy. She thinks it better not to stare any longer than she needs to, and she finally takes a spoon of soup to her lips.
Two days pass. Margaret has become somewhat familiar with the man who's come to care for her. She still doesn't care for him being too close, but she's grown to tolerate his presence. And to tolerate eating in front of him. It's enough that she's comfortable enough to verbally answer his questions. To give him her name, to say where she'd come from, and that she can't remember anything from a few days ago. He asks why a girl from the forest would be out in the middle of the sea, and Margaret's eyes suddenly grow distant. The sea. The island. The Hideout of that snake. And a sorrowful smile that suddenly brings her pain. Margaret folds inward. She doesn't want to answer anything anymore. The man nods, and though he's happy to have unlocked an important blockage of her memory (as he's assuming), he won't press her any further.The next day, she's gone. The man finds her missing from her futon entirely. The room is upended, the closets checked, but the strange, wild girl is nowhere to be found. The only clue left behind is the window left ajar. Margaret had left in the middle of the night to find the sea she'd been pulled from. Though she's still not back to her full strength yet, meaning she hasn't gotten very far, she's pushing onward anyhow. She can smell the sea from here on the cliffs. The forest is beginning to thin and give way to a rocky shore. If she could just make it, she could see if her counterpart made it! They had to make it... They had to have washed up here! But Margaret's path is cut off. The man stands between her and the shoreline. She demands that he move out of her way. He argues that she should be resting. "You shouldn't be walking around like this so soon out of bed rest. You could get hurt or worse!" But his words fall on deaf ears. Margaret attempts to run around him, but she's caught by an arm that pushes her back. Her desperation to see her counterpart again, the anxiety, the worries, all combined by this brief, unwanted contact, causes her to snap.She bites down on his arm like a touch-sensitive bear trap. The man winces, but he doesn't let go. "I know what you're trying to do," he says. "I know that you're looking for someone. But they're not here, Margaret. You were the only one I found at sea." She bites down harder, the blood of his arm dripping down around her mouth and to her chin. Denial grips her chest. She doesn't want to hear it. She doesn't want to accept it! But she can't escape his next words."I came here every day to the shore to check for anyone else. Just to see if I did, by chance, miss some other refugee or victim or what have you. But no one's washed up on shore, Margaret. No one but the clams."The revelation hits hard. Notably, she tries her best to clamp down even harder... but her grip trembles. She can't bite any harder. She can't fight the truth any longer. Any strength she might have had left leaves her at once, and her bite loosens entirely. She nearly drops to her knees if it weren't for the man still holding her up. All she can do is grip onto his arm as the crippling sorrow overtakes her. They're gone. They were well and truly gone. Her counterpart never made it out of the hideout with her. The last memory she has of them was their smile. Sorrowful... yet so at peace, before everything around them brightened, and Margaret was blown back into the sea from over the cliffside. Margaret is eased down to the ground as sobs wrack her body. Once again, she was alone in this world. Once again, the people dearest to her are stripped away. Though the man's arm bleeds with a fresh wound inflicted by her fangs, the man's hold on her doesn't change. Her shuddering grief is met with kindness. After all, he better to understand loss than a retired shinobi like himself?"I'm sorry for your loss, Margaret," the man speaks up, just barely audible over the adolescent's wails muffled by his shoulder. "...I'm Leo, by the way. Like the lion. Maybe it doesn't mean much to you right now, because you're mourning a lot right now. But whatever you need, from here on out, don't be afraid to call on me. Okay?" Margaret doesn't answer. Her sobbing softens, if only slightly, but it's the only sign she can give that she heard.

  PART FOUR  Four years pass. Margaret decidedly remains in Leo's care. In her time with him, she's learned his style of taijutsu, learned more basic academic subjects, and the general basics of chakra control required for executing ninjutsu. It also goes without saying that Leo has had the unfortunate experience of learning, by now, about Margaret's dangerous, primal nature that flares from time to time. However, at this, he still approaches it with kindness. Even though his method wouldn't be considered conventional, considering he tends to hold her close to soothe her until the beastly wild girl calms down.Margaret wonders, though. In the time that she's spent in Leo's home, a private piece of land just on the outskirts of Kumogakure, how much longer she should stay. The retired shinobi had done so much for her in her years here. Maybe every so often, they butted heads over certain matters, but Margaret could never say that she hated her time here. She was thankful more than anything, having grown strong in body, mind, and through a bond. But it was because of these factors that she felt she could no longer stay. Whether or not Leo could handle her bouts of frenzy, Margaret would no longer allow her loved ones to be put in danger because of her. She couldn't risk losing anyone else. Not on her watch. She would seclude herself away from people if it meant that she could keep them safe from herself or anyone who chose to come hunting for her. It would be her problems to deal with. No one else.It saddens her to put pen to paper, to be writing a note of her departure while he shops in the Kumo markets, unaware of her plan. Margaret fights to keep the tears at bay. Just a little longer, she tells herself. The note is almost done.And when it is, it's tucked underneath a cup sitting on the kitchen table. The cup he always used when he brewed a morning batch of tea. It would be waiting for him when he got back. And by then, she would be long gone to venture out into the world on her own.









VERSE ONE

  MAIN  
Canon.   Margaret lives alone and wanders the shinobi world to make herself scarce and hard to find. (Age 19-22)
#🇸‌🇦‌🇻‌🇦‌🇬‌🇪 🇷‌🇪‌🇨‌🇱‌🇺‌🇸‌🇪‌{Main Verse}

  AKATSUKI  
AU.   Captured by Kakuzu, Margaret is brought into the Akatsuki to help them reach their goals. Margaret sees no cohesiveness to their end goal, finding it destructive and counterintuitive. However... is there anywhere else for a monster to go? The organization is her only protection from the bounty hunters outside. (Age 19-22)
#🇱‌🇴‌🇸‌🇹 🇦‌🇳‌🇩 🇫‌🇴‌🇺‌🇳‌🇩‌{Akatsuki Verse}


VERSE TWO

  BRIGHT DAWN AKATSUKI  
AU.   An Akatsuki that is run by Yahiko, a bright-eyed ninja looking to create peace in the world. In a world where he doesn’t die, Margaret finds herself becoming a part of the cause as a chance to reign in her darkness and become a part of his movement of warmth and promise. (Paired with @dominiodivino’s Bright Dawn Verse!)
#ʙʀɪɢʜᴛᴇʀ ғᴜᴛᴜʀᴇs{Bright Dawn Akatsuki}

  POST AKATSUKI  
AU.   The last remaining living member of the Akatsuki. After learning of the apparent deaths of certain members one by one, and the departure of the Akatsuki founders, Margaret decided then to completely jump ship. She did not see what became of “Tobi”, fleeing far into the forests to live alone as a hermit in a hut on a hill surrounded by animals. It would be an area of the forest that she swore to protect, and the animals did the same in return. Margaret would continue to live here for the following years well after the 4th Ninja War, now well into her 30s. She only fights when provoked and tends to a garden surrounding her home. No one enters the premises without an invitation. One will find themselves confronted by the animals otherwise… or worse. Be sure to introduce yourselves to the animals. And be kind. (Age: 26-35 Post War)


  BLANK PERIOD  
AU.  Same outcome as Post-Akatsuki (Living in a hut in the woods), but without her being affiliated with the Akatsuki!
#ᴏɴᴇ ᴡɪᴛʜ ɴᴀᴛᴜʀᴇ{Blank Period Verse}


VERSE THREE

  NEW DAWN  
AU.   Takes place during the Blank Period. Upon refusing a summons from New Dawn, Margaret returns to her forest to find it and her home set ablaze. Overwhelmed by the smoke and the wails of her animals, she passes out for many hours, only to wake with horrible burns and a blackened forest. With nothing else and nowhere to go, Margaret finally turns to the New Dawn Organization as a new place to belong. But she is no longer the whimsical woman she’d been known to be. There is a lot of pain locked up inside, a ticking time bomb. One that would especially be catastrophic if a certain truth were revealed to her.
(A verse created for @infernoparadis's Post Akatsuki organization rebuild AU)#ɴᴏᴛʜɪɴɢ ᴇʟsᴇ ᴛᴏ ʟᴏsᴇ{New Dawn}

  CHILDHOOD  
AU.   Margaret is alone. Her village has just destroyed itself, and she’s left to fend for herself with no mother and no clear future for herself. Marg as a kid is easy to cry at this stage of her life, but is very inquisitive about her surroundings. She has no idea what greater ‘Hidden Villages’ do or what’s normal for those. She got SOME training in, but her curriculum was cut short when her village collapsed on itself due to infighting. Pre-Orochimaru. (Age: 10)
#ʟᴇғᴛ ғᴏʀ ᴛʜᴇ ᴡᴏʟᴠᴇs{Childhood}

  TEENHOOD  
AU.   Post-Orochimaru. Margaret is extremely wary of everyone she comes across. Much more likely to fight, hiss, and bite if touched. Rage outbursts are still violent at this age. Currently 'lives' with Leo but often ventures on her own.(Age:15-18)
#ʙᴀʀᴇᴅ ʏᴏᴜɴɢ ғᴀɴɢs{Teenhood}


VERSE FOUR

  SIMPLE LIFE  
AU.   Margaret lives next to the shore in a little home just on the outskirts of a fishing village. Her home came with a little cove in the ocean that she could happily fish from in private without all the hustle and bustle of the public. But the cove brought more than the promise of fish…
(A soft fantasy verse shared with @bishopofgreed’s Merfolk AU! She has no powers and is a simple human who occasionally sells her catches.)#ᴛʜᴇ sɪᴍᴘʟᴇ ʟɪғᴇ{Soft Fantasy}.

  WESTERN GHOUL  
AU.   A dead soul that can't rest. She's clawed her way through her afterlife, fleeing packs of ghouls, feasting on passing cowboys and wagons as she wanders through the desert. She met her end by a bullet put right between her eyes. Now she's a lost soul with unfinished business and hazy memories that come to her in bursts.
(A Western AU shared with @bishopofgreed because yes I'm impulsive lmao)#ʀɪsᴇɴ ғʀᴏᴍ ᴛʜᴇ ᴅᴇᴀᴅ{Western AU}
  BAD BUNNY  
AU.   (DEMAND/INBOX/OPENS ONLY) An imposter has taken Margaret’s place. She’s still Margaret by all means, she’s just not the Margaret of this world. Completely out of place, with no chakra reading to see her. An outer influence. "Maggie" is apathetic, blunt, brutal, playful, and downright sadistic in how she sees people anymore. There was once a soul underneath that ribcage, but she exchanged it for body autonomy… with the added plus of powers as a side effect.
(Mun’s note: Yes this is a modern Marg thrown into Naruto. No, your muse does not have to be in the modern verse to interact; her intrusion is purposeful! Yes, her powers are bullshit, however in the world of Naruto I am placing her at the strength of an S Rank Nin because that’s the only challenge she’ll have gotten in all her demon host life. This verse I just would require plotting for any violent actions she does just bc I don’t wanna step on toes ;w; This is basically my problematic/horror baby muse so-)#ʙᴀᴅ ʙᴜɴɴʏ{Alt AU}More information here ->




MAINS

FIRSTNAME LASTNAME

Kakuzu
@bishopofgreed
main
mentor

FIRSTNAME LASTNAME

Hidan
@infernoparadis
main
coworker/annoying older brother?? (self-proclaimed)

FIRSTNAME LASTNAME

Sasori
@akasunaa
main
scary coworker

FIRSTNAME LASTNAME

Orochimaru
@taoreshi
main
enemy

FIRSTNAME LASTNAME

Deidara
@artisanshinobi
main
twin brother (self proclaimed)

FIRSTNAME LASTNAME

Itachi
@kiigan
main
smart coworker

FIRSTNAME LASTNAME

Yahiko/Pein
@dominiodivino
main
employer

FIRSTNAME LASTNAME

FIRSTNAME LASTNAME
@partnerurl
exclusive
relationship

FIRSTNAME LASTNAME

Zetsu
@jozetsuka
main
employer/coworker

FIRSTNAME LASTNAME

Kisame
@infernoparadis
main
coworker/sparring partner

FIRSTNAME LASTNAME

Konan
@angelofamegakure
main
employer

FIRSTNAME LASTNAME

FIRSTNAME LASTNAME
@partnerurl
exclusive
relationship

SECONDARIES

FIRSTNAME LASTNAME

Hidan
@holy-havoc
secondary
cool coworker

FIRSTNAME LASTNAME

Kisame
@taoreshi
secondary
fun coworker

FIRSTNAME LASTNAME

FIRSTNAME LASTNAME
@partnerurl
exclusive
relationship